Galerie

Georg Nothelfer

Walter Stöhrer

Black and go I
1981, Mixed Media on canvas, 200 x 260 cm
Black and go I,
1981, Mixed Media on canvas, 200 x 260 cm
Stöhrer, Black and go I, 600dpi_7068
Wörter mit Schlamm gefüllt, Wörter mit Wehen geschmückt
1999, Mixed media on canvas, 250 x 180 cm
Wörter mit Schlamm gefüllt, Wörter mit Wehen geschmückt,
1999, Mixed media on canvas, 250 x 180 cm
StoehrerWalter_WoerterMitSchlammGefuellt_1999
Untitled
1973, Mixed media on canvas, 200 x 175 cm 
Untitled,
1973, Mixed media on canvas, 200 x 175 cm 
Stöhrer_Ohne Titel_1973_1975_Mischtechnik auf Leinwand_200 x 175 cm
Yellow Figures
1970-76, Mixed media on canvas, 200 x 180 cm. WV 76.46 (SOLD)
Yellow Figures,
1970-76, Mixed media on canvas, 200 x 180 cm. WV 76.46 (SOLD)
Stoehrer, Yellow Figures, 1978, MT auf LW, 200 x 180 cm
Kopf
aprox. 1964, Oil/Canvas, 130 x 99,5 cm (SOLD)
Kopf,
aprox. 1964, Oil/Canvas, 130 x 99,5 cm (SOLD)
Stoehrer_Kopf_ca 1964_oelLW_130x99,5cm
Gefährlich ist es für die Spielpartner, gemeinsam am Ort ihrer Erkenntnis zu verweilen
1981, Mixed Media/Canvas, 210 x 250 cm
Gefährlich ist es für die Spielpartner, gemeinsam am Ort ihrer Erkenntnis zu verweilen,
1981, Mixed Media/Canvas, 210 x 250 cm
Stoehrer_Spielpartner
Hab ich Wut sauf ich Blut
1996, Mixed Media/Canvas, 200 x 250 cm
Hab ich Wut sauf ich Blut,
1996, Mixed Media/Canvas, 200 x 250 cm
Stoehrer_Hab ich Wut sauf ich Blut_1996_MTLW_200x250 cm_Basel - Kopie
Psychodrom
1980, Mixed Media/Container Board, 182 x 360 cm
Psychodrom,
1980, Mixed Media/Container Board, 182 x 360 cm
Stoehrer_Psychodrom_1980_MTVerpackungskarton_182x360cm_cmyk_mittel
Irgendso ein Clown
1997, Mixed Media/Paper, 75 x 112 cm
Irgendso ein Clown,
1997, Mixed Media/Paper, 75 x 112 cm
Stoehrer_Irgendso ein Clown_1997_MTPap_75x112cm
Irgendso ein Clown
1997, Mixed Media/Paper, 75 x 112 cm
Irgendso ein Clown,
1997, Mixed Media/Paper, 75 x 112 cm
Stoehrer_Irgendso ein Clown_1993_MTPap3_frei - Kopie
Wörter mit Schlamm gefüllt
1999, Mixed Media/Canvas, 250 x 180 cm (SOLD)
Wörter mit Schlamm gefüllt,
1999, Mixed Media/Canvas, 250 x 180 cm (SOLD)
Stoehrer_Woerter mit Schlamm gefuellt_1999_MTLW_250x180cm
O.T.
1995, Mixed Media on paper, 51,5 x 37 cm (SOLD)
O.T.,
1995, Mixed Media on paper, 51,5 x 37 cm (SOLD)
Stöhrer_1995_Hautwechsel_Chinaink_51,5 x 37 cm
017_stoehrer_papier-1161

Biography

Born 1937 in Stuttgart
1957-59 Studies at the University of Fine Arts in Karlsruhe with HAP Grieshaber. He met Dieter Krieg and Horst Antes.
1959 Moves to Berlin
1961 First solo exhibition at the Kellergalerie in Darmstadt Castle
1964 Art Prize of the City of Berlin
1971 Will Grohmann Prize of the Academy of Arts, Berlin
1976 First Solo Exhibition at Galerie Georg Nothelfer
1976 Berlin Art Prize
1977 Villa Romana Prize 
1981 Visiting professor at the Academy of Arts, Berlin
1984 Retrospectives at the Kunstmuseum Düsseldorf and the Saarland-Museum Saarbrücken
From 1986 Professor at the Hochschule der Künste, Berlin
1989 Solo exhibition at the Berlinische Galerie
1995 Hans Molfenter Prize, Stuttgart
2000 Art Prize of the Schleswig-Holstein Economy 
Died 2000 in Scholderup/Schleswig Holstein
2010 Solo Exhibition at Museum Küppersmühle Duisburg
2016 Solo Exhibition at Museum Wiesbaden

Walter Stöhrer (1937–2000), a master student of HAP Grieshaber at the Academy of Fine Art
in Karlsruhe/Germany, is regarded as one of the most influential and idiosyncratic figures in post-war German art. Unaffected by short-lived movements, he developed a radically individual body of work, which is considered a significant contribution to gestural-figurative painting and to the broader Informel movement. Stöhrer did not see himself as an abstract artist, but precisely defined his highly emotional, intoxicating painting process as ‘intrapsychic realism’ – ­the direct expression of psychological processes and inner tensions. In his often large-format canvases and works on paper, powerful, impulsive brushstrokes, furious lines and scriptural elements coalesce into dynamic visual poetry. Draftsmanlike ciphers, shadowy figures and improvised fragments of writing overlap in layered eruptions, frequently inspired by an engagement with the Surrealists’ Écriture automatique as well as by ancient philosophy, modern literature and music. Stöhrer’s paintings remain rhythmically balanced throughout. They are records of a perpetual struggle between chaos and form, spontaneity and control, in which writing, drawing and expressive gesture merge into an existential visual language.

Exhibitions

Editions

  • O.T./Untitled, 1993, Etching, signed and dated by the artist, 26 x 19,7 cm, Copies: 50

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  • O.T./Untitled, 1993, Screen printing, signed and dated by the artist, 82 x 70 cm, Copies: 50

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  • O.T./Untitled, 1987, Lithography, signed by the artist, 89,5 x 69,5 cm, Copies: 55

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Publications

  • Zeichnungen 1963, Zum 75. Geburtstag von Walter Stöhrer, 2015, Drawings 1963, On the 75th Birthday of Walter Stöhrer. In collaboration with the Walter Stöhrer Foundation drawings 1963 to poems by Helga "Ann" Fritzsche. Facsimile in original size Folder with 6 drawings and typescript Edition: 1000 numbered copies, ISBN 978-398-11115-6-9, EUR 25

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  • Skizzenbücher/Sketchbooks, 2012, Edited by the Walter Stöhrer Foundation, edited by Gerd Presler, German, 395 pages, 1000 colour illustrations, Edition Brinkmann u. Bose, ISBN 3940048127, EUR 90

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  • Werkverzeichnis der Malerei 1957-1999, 2008, Catalogue raisonné of paintings 1957-1999. With a text by Marion Ackermann, German, 592 p. with 800 ill. cloth, Edition Brinkmann & Bose, ISBN 978-3940048004, EUR 130

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