Eduardo Chillida. Grafik

27 April to 15 June 2019 ⟶ Corneliusstraße

Partial view of the exhibition

Hommage à Aimé Maeght, 1988, Etching, Ed. 14/50, 160 x 107 cm

Euzkadi I, 1975, Etching, Ed. 48/50, 138 x 96 cm

José M. Ullán: Adoración, 1977, 1/4 etchings, editions 12/35, each 32.5 x 25.5 cm, WV 77007-77010
Comes with a book of 3 etchings, edition 12/35, 32,5 x 25,5 cm

José M. Ullán: Adoración, 1977, 2/4 etchings, Ed. 12/35, each 32.5 x 25.5 cm, WV 77007-77010
Comes with a book of 3 etchings, Ed. 12/35, 32,5 x 25,5 cm

José M. Ullán: Adoración, 1977, 3/4 etchings, Ed. 12/35, each 32.5 x 25.5 cm, WV 77007-77010
Comes with a book of 3 etchings, Ed, 12/35, 32,5 x 25,5 cm

José M. Ullán: Adoración, 1977, 4/4 etchings, Ed. 12/35, each 32.5 x 25.5 cm, WV 77007-77010
Comes with a book of 3 etchings, Ed. 12/35, 32,5 x 25,5 cm

Atzapar, 1973, etching, Ed. 18/50, 79.5 x 60 cm, WV 73023

Burni Bizitu II, 1971, etching, ed. 50, HC, 68 x 57 cm, WV 71012

Euzkadi III, 1975, etching, ed. h.c./50, 138 x 95.5 cm

Antzo IV, 1985, etching, ed. 35/50, 50 x 65 cm

Enda III, 1976, etching, ed. 11/50, 65.5 x 50 cm, WV 76008

Enda V, 1976, etching, ed. 18/50, 65 x 50 cm, WV 76010

Enparantza I, 1981, etching, ed. 15/50, 75 x 53 cm, WV 81004

Enparantza IV, 1981, etching, ed. 15/50, 65 x 50,5 cm, WV 81007

Bikaina IV, 1986, etching, ed. 7/50, 75 x 53.5 cm, WV 86017

Partial view of the exhibition

Anitz, 2000, serigraphy/embossing, ed. 31/100, 40 x 30,5 cm, WV 00003

Jorge Semprún: L'Ecriture ou la vie, 1997, etching, ed. 36/100, 38 x 28 cm, WV 97017-97020
Comes with a book with texts by Jorge Semprún

Untitled, 1999, etching, ed. 57/100, 31 x 22,5 cm, WV 99001

Untitled (from Aromas, II), 2000, etching, ed. 57/120, 53.5 x 42.5 cm, WV 00010

Untitled (from Aromas, VI), 2000, etching, ed. 57/120, 53.5 x 42.5 cm, WV 00007 (SOLD)

Euzkadi VII, 1976, etching, edition 11/50, 120.5 x 160 cm, WV 76013 (SOLD)

In addition to his numerous internationally distributed sculptures, Eduardo Chillida created an extensive graphic oeuvre. Although there is a clear formal as well as content-related connection between prints and the sculptural work, Chillida did not regard his graphic works as sketches or preliminary drawings, but as independent works of equal value. The basic theme in his entire oeuvre is space, both physical space and spiritual and sensual space. Chillida is preoccupied with the contrast between matter and emptiness, whereby he also understands nothingness as space, the limited space enclosed by mass. The tension between solid material and the optical dissolution of the same becomes very visible in his graphic work. The graphics, all of which are in black and white, are characterised by their equally concrete and playful formal language and are also convincing because of their high aesthetic value.

Eduardo Chillida